To an observer in space, humanity’s footprints on the surface of the Earth are large and varied. They include the regular patterns of irrigated cropland, straight lines of roads and railways running across continents, reservoirs on river systems, and the cement rectangles of ports and seawalls along coastlines. But what about humanity’s signature footprint—cities? By day, cities viewed from space can blend into the countryside, or appear as gray smudges, depending on the style of development and size of the urban area.
At night however, city lights present the space observer spectacular evidence of our existence, our distribution, and our ability to change our environment.
A few years ago, NASA and NOAA joined forces to present the first world map of the nighttime Earth using 9 months of data collected by the DMSP (Defense Meteorological Satellite Program) satellite from an altitude of 830 kilometers (1 kilometer is 0.62 miles) above Earth. That “Night Lights” map, widely distributed on the Internet, helped many people visualize the world’s distribution of people and cities.
Astronauts circling the Earth have the wonderful vantage point of observing the nighttime Earth from 350-400 kilometers above the surface, taking in whole regions at once. Onboard cameras and a bit of experimentation allow astronauts to take highly detailed images of our cities at night and share them with the rest of us.
But taking pictures in the dark is difficult at best, made even more difficult by the fact that the International Space Station moves more than 7 kilometers per second (15,659 miles per hour) relative to Earth’s surface. With daylight illumination, an onboard camera can be set to take an image with an exposure time of just 1/500 of a second. With the Earth’s surface in darkness, night images of cities require much longer exposure times. As the Space Station (or Space Shuttle) flies over Earth, however, the city the astronaut is trying to photograph will move across the camera’s field of view while the shutter is open—a recipe for blurry images. The longer the exposure, the more motion blurring there will be.
In late 2002 and early 2003, astronaut Don Pettit, part of International Space Station Expedition 6, spent some time accumulating spare parts from around the space station, and constructed a device called a barn-door tracker. A barn-door tracker is a camera mount commonly used by astronomers and photographers on the ground to capture images of stars and planets in the night sky. The camera is mounted on a hinged platform that can be moved very slowly and precisely (by turning a knob). On the ground, the device allows photographers to compensate for the rotation of the Earth relative to the stars. In space, it allows astronauts to compensate for the movement of the Space Station relative to the Earth below. The careful coordination keeps the targeted city in the same position in the camera’s field of view during the long exposure, even though both the station and Earth’s surface are moving.
Pettit’s tracker and nighttime photography techniques produced hundreds of images of cities from around the world that had estimated resolutions (level of detail) of about 60 meters. Since then, a few other crew members have been able to successfully master night photography techniques. In late 2007 through early 2008, Expedition 16 Flight Engineer Dan Tani acquired a number of striking images of cities at night, including some exciting images taken with the longer, 400 mm lens, producing images with an estimated ground resolution of less than 10 meters.
Recently, Don Pettit assembled a sequence of several of the most striking images of city lights at night into an animated “world tour.” This video (see below), produced entirely by Pettit, takes you on a quick trip comparing cities from different regions, all viewed from the International Space Station.
From a geographic perspective, cities at night tell different stories about a region. City lights provide sharp boundaries that delineate the densest concentrations of people, a characteristic that has been used to assess the effect of urbanization on Earth’s ecosystems. The increased detail of city lights available from astronaut photography can help refine urban boundaries defined from satellite data. Transportation corridors and major commercial development, such as ports, shopping centers, and cultural icons—like the Las Vegas strip—jump out of the landscape.
In many cities, neighborhoods of different generations can be distinguished by the lighting color and patterns along their streets. In many North American cities, older neighborhoods have less regular street patterns and light green mercury vapor lighting, while newer cities, especially in the western United States, have street patterns aligned to the compass directions and use orange sodium vapor lighting. The major Denver street patterns are rectilinear, aligned north-south and east-west.
Cities from different regions of the Earth are also identified by differences in their nighttime lights. Japanese cities glow a cooler blue-green than other regions of the world. Newer developments along the shore of Tokyo Bay are characterized by orange sodium vapor lamps, while the majority of the urban area has light green mercury vapor lamps.
Border cities like Ciudad Juaréz, Mexico, and El Paso, Texas, illustrate different city patterns side-by-side, suggesting cultural influences on the development and growth of cities and infrastructure. Ciudad Juaréz, supports at least 1,300,000 people. On the U.S. side of the Rio Grande, El Paso is marked by the brightly-lit Interstate Highway I-10 that cuts across the city. Although the area of El Paso, with an estimated population of slightly more than 600,000 is roughly on the order of the area of built-up Ciudad Juaréz, the density of settlement evidenced by the distribution of lights, is much less.
The rapid growth in Jiddah and Mecca in Saudi Arabia can be mapped from the lighting patterns, and the road connecting them stands out as a bright string in the surrounding dark desert.
What’s next? Earth is becoming an urban planet. As more and more people move to cities, and the surrounding rural and suburban areas are increasingly developed, the pattern of lights in cities around the world will change. Individual city footprints will coalesce into ever larger bright blobs. More roads will connect those cities to form an illuminated, lace-like web on the habitable parts of the continents. Nighttime photographs from astronauts on upcoming missions will document these changes, providing dramatic illustrations for the continuing story of humanity’s footprints on the Earth.
Astronaut photographs are provided by the ISS Crew Earth Observations experiment, and the Image Science & Analysis Laboratory, Johnson Space Center. The images in this article have been cropped and enhanced to improve contrast. Lens artifacts have been removed. The International Space Station Program supports the laboratory to help astronauts take pictures of Earth that will be of the greatest value to scientists and the public, and to make those images freely available on the Internet. Additional images taken by astronauts and cosmonauts can be viewed at the NASA/JSC Gateway to Astronaut Photography of Earth. Text and captions by Cynthia A. Evans and William L. Stefanov, NASA-JSC.
3/3/08 Don Pettit NASA JSC Houston, TX 77058 281 244-8917
Cities at Night, an Orbital Tour Around the World
Cities at night, an orbital tour around the world [image of Chicago, IL].
Cities at night are strikingly beautiful from an orbital vantage [Image of Buraydah, Saudi Arabia].
As members of Expedition 6 to the International Space Station, [Image of ISS over Earth, circa Expedition 6] we attempted to record these images with our digital still cameras and failed [Image of D. Pettit at Destiny lab window]. The images were blurred due to the rather swift pace of orbital motion coupled with the required time exposures [Image of New York, NY metro area at night].
However, we managed to assemble a tracking system from spare parts [Image of D. Pettit with barn-door tracker] on space station that amateur astronomers will recognize as a barn door tracker. [Video of D. Pettit using barn-door tracker onboard ISS.] Using this tracking system, we were able to manually cancel orbital motion and obtain for the first time, truly sharp images of cities at night from space.
Here is Montreal Canada, our best attempt at a hand held image.
And here is Montreal taken using our orbital improvised tracking system where detail is now seen down to about 60 meters.
Available from the internet, we are use to seeing images of the world at night from the DMSP satellite system.
These black and white images are limited in detail to objects about 2 miles across as seen in this mosaic along the eastern US coast.
And here is a similar mosaic [Image mosaic of U.S. eastern seaboard] made from our images taken from space station where we can zoom down in “Google Earth style” with full color to near 60 meter resolution.
Now we are ready to take an orbital tour around world of cities at night.
Cities at night are caught in a triangle between culture, geography, and technology.
Cities in Europe display a characteristic network of roads that radiate outwards like glowing spider webs.
London, with a tour down the southern English coast to Bristol.
Cairo, Egypt, with the Nile River seen as a dark shape running south to north. The three spots in the center are the Pyramids of Giza which are well lit at night. A journey up the Nile brings us to the big bend, past Quanah and Luxor where the Valley of the Kings is peacefully dark. Tel Aviv to the left; Jerusalem to the right.
Riyadh, Saudi Arabia. Showing multi colors, the cities in the Middle East are strikingly beautiful from space.
Jiddah, Saudi Arabia, the road winding eastward towards Mecca. And here is Mecca seen from space at night.
Abu Dhabi, United Arab Emirates.
Oil field fires near Kuwaiti City.
The northwest coast of India. India has a unique orbital signature, where a multitude of small village lights are scattered over the continent, diffusely seen as if masked by a veil.
Manila, Philippines, Where its geometry is dictated by water fronts.
Rangoon, Myanmar, with a skip of moonlight reflecting off the water.
Here is a mosaic moving from the tip of South Korea near Busan to the north Kyushu Coast of Japan near Fukuoka City. Midway in the Korea Strait is a fleet of fishing boats luring their catch with intense xenon lights, appearing as unfamiliar members of the zodiac.
Tokyo, Japan. The cities in Japan have a distinct blue-green cast. From this, one can immediately recognize that your orbit is over Japan.
Brisbane, Australia, moving down the coast to Cape Byron.
The fabled Alice Springs.
And more remote, Eyre Lake by moonlight, showing only a few dots of humanity.
Sao Paulo, Brazil, where the older parts of town are seen in blue-green from mercury vapor lighting and the newer boroughs are yellow-orange from sodium vapor lighting.
The coastal city of Sao Vicente comes into view.
El Paso, Texas, and Juarez, Mexico. An example in one area that shows the imprint of culture on the display of lighting.
Phoenix, Arizona, which characterizes western U.S. cities with a north-south, east-west grid that abruptly fades into darkness at the edge of town.
Bend, Oregon. Rural areas are interesting not from what is seen, but rather what is not seen at all.
San Francisco Bay area.
We now have a data base of over 4000 images of cities at night, systematically taken all around the world.
Houston, Texas, with a skip of fog. No display from space is complete without at least one image of Houston, where I45 is visible all the way down to Galveston Island.
A mosaic from Los Angeles down the coast highway to San Diego.
The imprint of culture, geography, and technology allows one from orbit to identify what part of the nighttime world you are over simply from the display of lights below.
Our nation’s capitol, Washington DC, clearly visible is the outline of the District of Columbia.
The brightest spot on Earth—Las Vegas, Nevada—our beacon for Humanity.
We do not construct our cities by how they might look from space, cities at Night may very well be one of the most beautiful, unintentional consequences of humanity. [Image of New Brunswick, Canada].